Attempting to continue it in a manner that will satisfy both her agent and her fans, even while her personal life is in ruins, is an excruciating chore. The main problem is that the bulk of the series was written based on the good times of her relationship with her soon-to-be-ex-husband. She’s also stalled on writing the tenth installment of the cozy mystery series that made her name. Now in her thirties, she’s single, childless and in the middle of an increasingly expensive divorce. It’s been over six months since Matt left, and I keep waiting for all of it to hurt less, for it to be less messy, less… I don’t know. Husband deciding to leave after seven years of seemingly happy marriage?
Health suddenly terrible for no reason that any doctor can figure out? Check. It’s the only word that can sum up what a complete and utter shit show this past year has been for me, but it still comes nowhere close to touching it.
Here in the 21st century, Emily Sheridan is reeling from the seeming collapse of, well: This intriguing reinterpretation of the Italian stay that birthed Mary Shelley’s Frankenstein does some truly audacious things with storytelling, as it transports that famed historical episode of 1816 to the 1970s, and further brackets it within the pages of a modern-day domestic thriller.
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